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Chapter 2

OF THE VARIOUS SEATS OF PASSION IN WOMEN

And, further, let men know that passion resides in different parts and members of the woman's person, and that by applying to these the necessary Chandrakala 1 or preparatory attouchements, great comfort and pleasure are experienced by both husband and wife. On the other hand, if the process placed in the table opposite the respective days of the lunar fortnight be not performed, neither sex will be thoroughly satisfied; indeed, both will be disposed to lust after strange embraces, and thus they will be led by adultery into quarrels, murders, and other deadly sins, all of which may be avoided by studying and bearing in mind the Chandrakala.

Passion resides in the woman's right side during the Shuklapaksha, the first or light fortnight of the lunar month, from new moon to full, including the fifteenth day. The reverse is the case on the dark fortnight, including its first day, and lasting from the full to the new moon. The shifting is supposed to take place by the action of light and darkness, otherwise the site of passion would be one and the same.

Now from generals, Kalyana Malla, the poet, proceeds to particulars, and supplies details concerning the four different classes of women. He begins with the Padmini, and shows, firstly, in what limb or member passion resides; and, secondly, by what process it can be satisfied. The husband must continue his action till. he sees the body-hair bristle, and hears the Sitkara 2--the inarticulate sound produced by drawing in the air between the closed teeth. Thus he will know that the paroxysm has taken place, and the beloved one is thoroughly satisfied.

General Table III

Member

Navami
9th day

Chaturdashi
14th day

Purnima
Full Moon

Amavasya
New Moon

Yoni

Thrust violently with Linga or even rub hard with hand

Scratch, press in member until her waist bends

"

Manipulate and pull open like a flower

Navel

Rub and frequently pass hand over

"

"

"

Lip

Kiss and suck

"

Kiss in various ways  4

Kiss in various ways

Side

Press with fingers & scratch very softly

"

Pull hard

Scratch till it bears nail-marks

Breast

Rub, squeeze, twist, & make it very small

"

Pull hard

Scratch till it bears nail-marks

Chest

"

"

Scratch and leave marks

Scratch and leave marks

Nipple

"

"

Kiss and rub with thumb and forefinger

Pass hand over it and rub with thumb and forefinger

Body generally

"

"

Embrace in various ways

Embrace in various ways

Eye

"

Kiss

Kiss

Kiss

Armpit

"

"

Scratch and tickle

Scratch and tickle

Showing the Manipulations of the Hastini

Table VII

Member

Tritiya
3rd day

Saptami
7th day

Ekadashi
11th day

Trayodashi
13th day

Body generally

Twist it about

Embrace firmly

Clasp with force

"

Lower lip

Bite

"

"

"

Arm

?

"

"

"

Breasts

Scratch roughly till marks are left

"

"

Squeeze till she makes the sound of Sitkara

Belly

"

Scratch and press with nails

"

"

Chest

"

Press with nails and caress

"

"

Throat

"

Scratch and press with nails

"

"

Ear

"

Press with nails

"

"

Foot

"

Press so as to leave nail-marks

"

"

Mouth or face

"

Kiss

"

"

Yoni

"

Apply Linga with force

Apply Linga as it were with a blow 3

"

Lip

"

"

Kiss and suck

"

Inch below head

"

"

"

Write upon it, as it were, with nails

Lower edge of Yoni

"

"

"

"

Showing the manipulations of the Shankhini

Table VI

Member

Shasti
6th day

Ashtami
8th day

Dashami
15th day

Dwadashi
12th day

Yoni

"

Insert Linga

Rub and scratch with left hand

"

Lower Lip

Kiss

"

"

Bite very gently

Throat

Embrace

Clasp firmly with hands

Scratch and pass fingers over it

Embrace firmly

Waist

Scratch and press with nails

"

Pass left hand over it and rub

"

Navel

"

Pinch with nails and fingers

"

"

Lip

"

Bite quickly and repeatedly

"

"

Breast

 

Hold in hand

Pass left hand over it and rub

"

Ear

"

"

Caress with left hand

Set nails upon it

Thigh

"

"

Rub with left hand

"

Middle of body

"

"

Pass left hand over it and rub

"

Back

"

"

Rub with left hand and tap with fist

"

Nates

"

"

"

"

Forehead

"

"

Kiss strongly

"

Chest

"

"

"

Kiss and pat

Eye

 

 

 

Do something that will make the eyes close rapidly

Hair

"

"

"

Pull gently

Showing the manipulations of the Chitrini

Table V

Member

Pratipada
1st day

Dvitiya
2nd day

Chaturthi
4th day

Panchami
5th day

Throat

Hug with force

"

"

"

Cheek

Kiss and scratch

Kiss and scratch

"

"

Hair

"

"

"

Stroke slowly with right hand

Waist

Apply nails and scratch

"

"

"

Breast

"

"

Scratch gently

"

Back

Scratch & tap with fist

"

"

"

Bosom

"

Press with nails

Squeeze and knead

Press and rub

Side

Scratch and press with nails

"

"

"

Thigh

"

Scratch and press with nails

"

"

Belly

Scratch and press with nails

"

"

"

Arm

"

"

Jerk suddenly and twitch

"

Lip

Bite softly and kiss

Kiss

Bite softly and suck

Bite softly

Nipple

"

"

"

Kiss, pinch softly and rub with thumb and forefinger

Space between eyes

Kiss

"

"

"

Foot

"

Scratch and press with nails

"

"

Showing the Manipulations of the Padmini

Table IV

Shuklapaksha or light fortnight; right side

 

 

 

Krishnapaksha or dark fortnight, left side.

Day

Place

The touches by which passion is satisfied.

Place

Day

15th

Head and hair

Hold hair, and caress the head and finger-tips

Head and hair

1st

14th

Right eye

Kiss and Fondle

Left eye

2nd

13th

Lower lip

Kiss, bite and chew softly

Upper lip

3rd

12th

Right Cheek

Do.

Left cheek

4th

11th

Throat

Scratch gently with nails

Throat

5th

10th

Side

Do.

Side

6th

9th

Breasts

Hold in hands and gently knead

Breasts

7th

8th

All bosom

Tap softy with base of fist

All bosom

8th

7th

Navel

Pat softly with open palm

Navel

9th

6th

Nates

Hold, squeeze and tap with fist

Nates

10th

5th

Yoni

Work with friction of Linga

Yoni

11th

4th

Knee

Press with application of knee and fillup with finger

Knee

12th

3rd

Calf of leg

Press with application of calf and fillup with finger

Calf and leg

13th

2nd

Foot

Press with toe, and thrust with finger

Foot

14th

1st

Big toe

Do.

Big toe

15th


Here end the tables of the Chandrakala, by the proper study of which men may satisfy women, and thereby subject even the most strong-minded to their will.

Footnotes

1 Chandrakala is properly a digit, or one-sixteenth of the lunar orb.

2 Called Sitkara from the sound "S't! s't! s't! s't!" as a person breathing hard or drawing in cold air between the teeth, thus making an inarticulate sound. Full particulars concerning it will be found in Chapter IX.

3 In the original Sanskrit and in all the translations there is an allusion to the practice described by Juvenal (IX. 4): Ravola dum Rhodopes uda terit inguina barba.

4 Alluding to what Shakespeare calls "kissing with th' inner lip."